Kenny George Band Brings Rock and Americana to Charleston – Interview

By Mark A. Leon

The essence of music is found in the soul of the songwriter.  The ability to harness emotion, derive an engaging composition and share that vulnerability to an audience is the true spirit of lyrical and musical poetry.  Artists enter into this world for various reasons; fame, fortune, girls, boys, but a rare few are born with a spirit to sore beyond the material images behind musicians and expose us to the human side of existence where life, music, art and emotion come together as one.  A little band from Aiken possess just those rare traits, Kenny George Band.

I had an opportunity to sit with lead singer Kenny George last weekend, ahead of their appearance at The Royal American on April 29th, and what he shared reinforced my own personal passion for music.

Now 31, Kenny began playing his first instrument at age 8.  Taking up the violin, because it was one of only two instrument taught in his small Southern school.  Now, 24 years later, Kenny and his band are playing 180 shows a year, about to release a new album and on the cusp of a breakout.

Along with Kenny, Bucky Brown, Center Ely, Brooks Andrews and Scott Rankin comprise this Southern rock and acoustic band who has been winning audiences over for years and we are excited to join the fan base and fortunate enough to learn more about Kenny and the band.

Inspired by the Americana sound and Southern California music scene, Kenny has been influenced by some of the greatest artists of our generation including Whiskeytown, Wilco, Willie Nelson, Merle Haggard, George Jones, Kris Kristofferson, Jackson Browne and The Eagles.  This fusion of influences coupled by a band who combines acoustic and rock, makes for a symphony of music and lyrics that derive a memorable live music experience.

In my research, I found the tune “Hard to Think About”, a moving song of heartbreak with a message of hope.  I asked Kenny about this tune.  “It is written about an ex that I had back home in Aiken.  I wrote it very hung over on my couch after we broke up.  It is one of those ones that came out easily and quickly.  We have been working to bring it back into the shows. The steel part is so pretty.”

This started to paint a picture of my head.  Often-times, we romanticize a song expecting a grand fantasy of a story to compliment the lyrics, but when we learn the story behind the song, we soon realize, musicians are human like each of us, but they use music as their outlet.  It was this realism that shows the raw courage of this band.

When we sat down and got comfortable, Kenny got candid and here is a little of our conversation:

CD: “How do you mentally prepare for such a physically rigorous tour schedule each year given that you have done over 240 shows in the last two years.”

KG: “In honesty, we fell into it.  I don’t think too much about it.  We try to buckle down.  The more we get to know the venues, the easier it gets.  We want to make sure we are well rehearsed.  It soon becomes second nature.  The hard part is missing home.  It can be emotionally exhausting.  Sometimes, when you finally get a weekend off you don’t know what to do because you are so accustomed to performing every night.”

CD: “What will fans expect from the new album ‘Borrowed Trouble’ that they may not have heard in Gunshy?”

KG: “There are a lot of changes to the new album.  This record is more like a rock record with a country sound to it (instrumentation).  Gunshy was written over a period of 5 or 6 years.  These songs, I wrote all together.  It is a road record with love songs written into it.  Gunshy was more acoustic based.

We also worked with Shawn Gess (producer) to make a more-beefy sounding record.  We wanted a more united and cohesive sound.  Tried more rhythm to create a more live sound.

We use Studio DigitalHalo in Aiken.  I’ve been working with Shawn almost 15 years.  We are so well connected at this point.   Shawn worked on my very first single.  The current band members have been together for almost 10 years now.  The band glues together well on stage now and they have a strong tight sound.”

CD: “Do you feel the Southeast is enough to draw inspiration or is there more of the world you need to see to harness your sound?”

KG: “I think where we live in the Southeast you could live for 80 years and be able to write something new, even live here forever and be inspired.  Though, I really want to grow the band and its market and range and experiences.  I haven’t done a lot of major traveling outside of the band.  We have gone to St Louis and Jersey and seen a lot of cool stuff, but I would like to get out more and grow the fan base.  This last album is influenced heavily by the road and our experiences over the last few years.”

CD: “Much like the iconic Bruce Springsteen, you are using your live performances to connect with your fans.  What do you want your fans to take away from your shows?”

KG: “Running on Empty album was a huge influence.  I probably have 3 copies next to me.  That entire album is about life and how the road treats you.  I want everyone to have a really good time listening to something they can connect to.  I am bad at talking about this stuff.  I want to make an emotional connection through the lyrics, tone and performance.  I want them to feel better after a live show.  When you talk to them and get to know them from town to town, you hear personal stories.  Little things like that mean a lot to me.

We got an email last week from a girl and her boyfriend who saw us five years ago when they first developed feelings for each other. and now five years later, they are coming again and wanted a signed copy of the album.  Personal stories like that are so important to us.”

CD: “Tell me about the roots of the band.  How did you all come to be?”

KG: “My father was a really talented dude.  One of his buddies played music.  When I started playing electric guitar, his buddy asked if they could sit in during the practice space.  That was the first time with Bucky Brown (drummer).  I sat in on a couple of shows.  It was sweet they let me watch.  They did covers and had fun with me being the 16-year old kid on stage.  That was 17 years ago.  I started a few high school and college bands with different folks.  When I moved home at 22, I knew I wanted to do my own project, so I called Bucky.  He brought in a petal steel guitar player.  Center Ely.  We also brought in a bass player named Charles, but we couldn’t buckle down on a bass player.  In fact, went through 6 or 7 bass players for the first 3 or 4 years.

I found my drummer, while buying drum heads at a shop in Augusta.  Brooks Andrews was the little brother of the cashier at the music store.  We got introduced and the rest is history.  Now, he is the best guitar player in the band.

Scott came in a year and a half later.  He called me to fill in for his band.  We had met, but never played together.  It seemed seamless when we played this 4-hour gig.  We just clicked.

We started doing acoustic shows together and then added Scott permanently to the band.  Scott brought in a full sound on vocals and extra meat on rhythm guitar.

I love acoustic, so getting into electric was a big transition for me.

We all had various experiences on the road so had a lot to share as we came together.

Scott brought the business side together.  He has brought a lot out of us.”

As the interview started to wind down, we got into a discussion about the upcoming tour.

“I am excited about the entire tour coming up.” Kenny exclaimed.   They are opening with a big alley show in their hometown of Aiken, supported by the mayor who is also a bass player.  As Kenny put it, “we want to put on a big show for the hometown fans.”  What a way to motivate a big tour on the road.

“Royal American show will be amazing.  We have played there twice and excited to get back there.  It was a blast with a great crowd.”

“For the first leg, we wanted to pick places we knew we would get the crowd we wanted.  We want to create an atmosphere.  We have rehearsals in the next few weeks to make sure we are tight.  I have new songs I am working on we will perform.”

On April 29th, you can catch the Kenny George Band bring rock, Americana and a steel guitar to the stage as they belt out new tunes and old favorites.

 

 

Press Release: Premier One Launches the Easiest Online Map Search for Charleston SC Real Estate

Finding the most suitable Charleston home for sale is no more a hassle, as the premier real estate firm in the area announces their interactive map search feature in their website. With the help of this online map search, it’s now a lot easier for a buyer to find a real estate in his/her preferred location throughout Charleston.

Whether someone is relocating to Charleston, or wants to buy a new home in the area, Premier One is the professional and trustworthy real estate firm to rely upon. The real estate firm has a vast listing of Charleston homes and other types of properties. They also offer an advanced search feature that precisely matches the search criteria of a property buyer to suggest the best homes for sale in the area. Besides, their new and interactive map based search feature allows buyers to find properties in their preferred location.

According to the spokesperson of the firm, the location based search covers a number of locations throughout Charleston, including Goose Creek, Isle of Palms, James Island, Kiawah Island, Seabrook Island, Folly Beach, North Charleston, Summerville, West Ashley, Daniel Island, and Edisto Island. Besides the online search, the firm has a team of experienced real estate professionals who are committed to finding the best properties throughout the area that can best meet a buyer’s requirements.

Premier One deals in a wide variety of properties in Charleston, available in different budgets. Based on the budget of a buyer, they can shortlist the most suitable properties in the area that a buyer can choose for their own living or for investment purposes. The spokesperson reveals that they can guarantee the best prices for both buyers and sellers, because of their local presence. They know the local real estate market in Charleston and have a good reputation among homeowners in the area. This is the reason why can rest assured of the best prices when completing a real estate deal through them.

To know more about their interactive search feature or to search a property in Charleston, one can visit the website http://gopremierone.com/.

About Premier One

Premier One has evolved over decades of real estate service to bring an enhanced level of commitment to their clients that is truly “Premier”. Each agent of the firm has undergone extensive training to meet clients’ needs. They have affiliations and contacts nationally and in the local market so that they can give clients an access to premier resources with an advantage of buying or selling homes, land, or commercial property. They maintain up to the minute listing detail on every home in the area and syndication through dozens of the major real estate search engines.

For Media Enquiry –
Contact Person: Tom Wingard
Telephone: 866-337-3127
Email: Info(at)GoPremierOne(dot)com
Website: http://gopremierone.com

Link to Original Press Release

“Next in Tech” Index Ranks Charleston, SC 25th in Latest Startup Economy Index

New “Next in Tech” Index Identifies Cities Across the Nation Fostering Startup Creation and Job Growth

One million additional jobs per year can be created if pro-startup and entrepreneurship policies put in place

Washington, D.C. — TechNet, the national, bipartisan network of innovation economy CEOs and senior executives, and the Progressive Policy Institute (PPI) today unveiled groundbreaking research that shows that encouraging the creation of dynamic startups across the nation can create one million new jobs per year.

The study, conducted by Dr. Michael Mandel of the Progressive Policy Institute on behalf of TechNet, found growing evidence that dynamism is returning to our economy.  Net establishment formation is accelerating to pre-recession levels, showing that new companies are being formed and existing enterprises are expanding.  Additionally, 48% of net establishment formation is happening outside of the 35 largest metro areas, clearly indicating the dynamism is spreading.

To further examine this spread of dynamism and “Startup Economy” jobs throughout the nation, the study identifies 10 technology hubs and 25 “Next in Tech” cities with a thriving startup environment.  At the top of the “Next in Tech” index are Washington, D.C., Atlanta, Denver, Salt Lake City, Portland, Dallas, Raleigh-Durham, Worcester, and Philadelphia.

“Startup culture, which began in the garages of Silicon Valley, has spread across the nation,” said Linda Moore, president and CEO of TechNet.  “From Provo to Portland and Nashville to New Orleans, entrepreneurs are launching new ventures in the hope that they can become the next big thing.  Startups like these are the economic engine that drives job creation.  In 2014, companies in their first five years of life created 2.2 million jobs, while firms older than five years created only 450,000 jobs.  That’s remarkable, and it means that if we put the right policies in place to support startups, we can create one million new, good-paying jobs each year.”

“Policymakers on the national, state, and local level must pay close attention to startups — encouraging their formation and removing the obstacles to their growth,” said Dr. Mandel.  “Put simply, this requires better regulatory policy, improved access to talent, and better access to markets and capital.  Such startup friendly policies do not necessarily require large amounts of money.  They do, however, require governments to do things differently than before.  We need one million additional jobs annually from young firms.  It won’t be easy — but it’s the only way that the U.S. can grow.”

“These long established industries that are transforming and becoming redefined by emerging technologies are not just based on the coasts, but are across America — in every city and corner of the country,” said Terry Howerton, co-founder and CEO of TechNexus Venture Collaborative.  “The industry and domain expertise to apply new technology — and the jobs created by this disruption — are best suited for the communities where today’s startups and corporations exist, everywhere.  That’s why smart public policy at the federal, state, and local levels is critical to keeping these new jobs distributed around the country.”

Startup Agenda

The study concludes that the goal of startup policy should be to spur the creation of an additional one million jobs in young firms each year.  This requires the adoption of a multi-pronged federal, state, and local “Startup Agenda” including:

  • Improving access to capital through updated rules that make crowdsourcing easier and put in place tax incentives to encourage investment in early stage, high growth local companies.
  • Fostering access to talent by ensuring that STEM and computer science is taught in every school in America, developing worker retraining programs, and reforming high-skilled immigration policies that encourage entrepreneurship.
  • Opening up access to markets through trade policies that encourage U.S. exports.
  • Instituting a pro-innovation regulatory and fiscal policy and reducing the burden of regulation and taxation on small companies.

About TechNet
TechNet is the national, bipartisan network of technology CEOs and senior executives that promotes the growth of the innovation economy by advocating a targeted policy agenda at the federal and 50-state level.  TechNet’s diverse membership includes dynamic startups to the most iconic companies on the planet and represents more than two million employees in the fields of information technology, e-commerce, advanced energy, biotechnology, venture capital, and finance.  TechNet has offices in Washington, D.C., Silicon Valley, San Francisco, Sacramento, Austin, Boston, Seattle, Albany, and Tallahassee. 

About PPI
The Progressive Policy Institute is a catalyst for policy innovation and political reform based in Washington, D.C.  Its mission is to create radically pragmatic ideas for moving America beyond ideological and partisan deadlock.  PPI is developing fresh proposals for stimulating U.S. economic innovation and growth; equipping all Americans with the skills and assets that social mobility in the knowledge economy requires; modernizing an overly bureaucratic and centralized public sector; and, defending liberal democracy in a dangerous world.

Full Press Release

Charleston CBP Seizes $1.1 Million in Cell Phone Accessories

Media Release:  CHARLESTON, S.C. U.S. Customs and Border Protection (CBP), Office of Field Operations, at Charleston seaport seized an estimated $1.1 million in counterfeit mobile phone accessories, including phone cases, chargers, cables, and headphones on March 14. The merchandise arrived into the port from China and was destined for upstate South Carolina.

Counterfeit  merchandise seized by CBP officers at Charleston Seaport

The shipment details were scrutinized and it was determined that the cargo was worth a closer look. Examination and appraisal revealed 85,000 individual accessories bearing images and markings from Apple, USB, Bluetooth, Blu-Ray, LG, Marvel, DC Comics, Hello Kitty, and Dr. Dre. Representatives from these companies confirmed their images and markings were being used without their permission, making them counterfeit and subject to seizure.

In addition, 38,000 power adapters were discovered bearing the Federal Communications Commission (FCC) mark, signifying they’d been tested in an accredited FCC laboratory and met certain operating standards. These were found to be unauthorized markings as well – a potentially significant safety risk to unwitting consumers.

CBP continues to work hard to protect legitimate businesses from unlawful use of their intellectual property.“I’m proud of the work our officers and import specialists are doing to keep counterfeit merchandise, some of which could be dangerous to consumers, out of U.S. commerce,” said Charleston Acting Area Port Director Joanne Fogg. “CBP continues to work hard to protect legitimate businesses from unlawful use of their intellectual property.

Counterfeit power adapters seized by CBP officers at Charleston Seaport

If you have information about counterfeit merchandise being illegally imported into the U.S., CBP encourages you to submit an E-Allegation. The E-allegation provides a means for the public to anonymously report to CBP any suspected violations of trade laws or regulations related to the importation of goods into the U.S.

CBP’s Office of Field Operations is the primary organization within Homeland Security tasked with an anti-terrorism mission at our nation’s ports. CBP officers screen all people, vehicles and goods entering the U.S. while facilitating the flow of legitimate trade and travel. CBP conducts inspection operations and intercepts currency, weapons, prohibited agriculture products and other illicit items at U.S. ports of entry nationwide. View CBP Snapshot to learn some of what CBP achieves “On a Typical Day.”

U.S. Customs and Border Protection is the unified border agency within the Department of Homeland Security charged with the management, control and protection of our nation’s borders at and between the official ports of entry. CBP is charged with keeping terrorists and terrorist weapons out of the country while enforcing hundreds of U.S. laws.

Blackbaud CTO Mary Beth Westmoreland Named One of the Top 50 Most Powerful Women in Technology

Charleston, S.C. (April 07, 2016) – Blackbaud (NASDAQ: BLKB), the world’s leading cloud software company powering social good, today announced that Mary Beth Westmoreland, Blackbaud’s chief technology officer, has been named one of the 2017 Top 50 Most Powerful Women in Technology by the National Diversity Council. This definitive list honors the most extraordinary female leaders, influencers and achievers impacting the technology industry.

Mary Beth was recognized for her leadership in Blackbaud’s transformation to a cloud software company that is innovative, agile, and successful, for her mentorship to inspire other women and for her commitment to corporate citizenship. She was named alongside women executives from other leading software companies including Angela Ahrendts of Apple, Safra Catz of Oracle, Ana Corrales of Google, Peggy Johnson of Microsoft, Virginia Rometty of IBM and Sheryl Sandberg of Facebook.

“I want to thank the National Diversity Council for the honor of being named an influential woman in tech alongside these amazing leaders,” said Mary Beth. “But it’s the work of our talented engineers, architects, designers and all of our staff that made this possible. They challenge and inspire me every day, and I’m proud to share this recognition with them. I’m excited to be a part of an innovative, purpose-driven team and company that is truly powering an ecosystem of good.”

The National Diversity Council is a nonprofit organization committed to fostering a learning environment for organizations to grow in their knowledge of diversity and inclusion. The annual list recognizes female executives, influencers and achievers who contribute to the growth or strategic direction of their organization; demonstrate a commitment to corporate citizenship, integrity and ethical behavior; and serve as role models and mentors to inspire future generations of female professionals.

For more information about Blackbaud, visit www.Blackbaud.com.

About Blackbaud
Blackbaud (NASDAQ: BLKB) is the world’s leading cloud software company powering social good. Serving the entire social good community—nonprofits, foundations, corporations, education institutions, and individual change agents—Blackbaud connects and empowers organizations to increase their impact through software, services, expertise, and data intelligence. The Blackbaud portfolio is tailored to the unique needs of vertical markets, with solutions for fundraising and relationship management, digital marketing, advocacy, accounting, payments, analytics, school management, grant management, corporate social responsibility, and volunteerism. Serving the industry for more than three decades, Blackbaud is headquartered in Charleston, South Carolina and has operations in the United States, Australia, Canada, Ireland, and the United Kingdom. For more information, visit www.blackbaud.com.

Media Contact
Nicole McGougan
Public Relations
843-654-3307
media@blackbaud.com

Maybank Public House Offers James Island’s Solution to Late Night Dining

By Mark A. Leon

Late night dining on James Island.  A phrase often reserved for pub food, comfort food, modified menus filled with carbs and fried delights.  That is what we have come to expect from James Island late night edibles.  Don’t get us wrong, there is an appreciation and market for late night urges with Paisano’s, Smoky Oak, Marco’s and Huddle House accommodating the needs of the night owls.

What about the patrons whose day has gotten away from them and before they know it, the time is 10:30 PM and they want a really good salad or pan seared chicken?  Maybank Public House has answered your prayers. (1970 Maybank Highway, James Island, SC)

Seven days a week, this eatery offers a full menu in the bar area until 12:30 AM.  Whether you are catching a late movie at the Terrace or a show at The Pour House, they are ready to please.

In a recent visit, we were taken back by the exception quality of customer service, food offerings and overall hospitality.  We wanted to take a moment and provide you a visual of what our experience entailed.  Upon arrival, we were offered to take a seat where we were comfortable and greeted immediately with two menus, napkins and silverware.  It was a five star hosting experience.  After two glasses of water arrived a few moments later, we learned of some of the great dining options.

We took a few moments with the menu and decided to shared the Smoked Gouda and Pecan Smoked Bacon Mac and Cheese and and the Arugula,  Beet, Green Bean and Goat Cheese Salad.  These two dishes were exceptional with fresh local ingredients and flavor that remained on the pallet after each bite.  Yet, even before we ordered, we had a challenge determining our appetizer and salad selection.  From lamb sliders to blue crab and spinach dip, steamed clams, fried green tomatoes or BBQ shrimp, there were no bad options and that posed quite a challenge.  We feel we made the right choice for this visit.

Smoked Gouda and Pecan Smoked Bacon Mac and Cheese

The Mac and Cheese was a virtual explosion of intense flavor, soft pasta and well blended mix of cheese and bacon to ensure every fork full was filled with the right mix.  This dish alone was a meal for two so expect to not leave hungry at the end of your evening.  The salad can compete with any of the five star downtown restaurants in presentation and taste.

This eclectic menu, offers an array of soups, salads, flat breads, burgers, and features including Shrimp and Grits, Fish N’ Chips, Pan Seared Chicken, Seafood Linguini and Red Curry Rubbed Salmon.

During our stay, we paced out meal with some long conversation.  During that time, our services was exceptional.  There was proper spacing between the appetizer and salad and we never felt any rush during our entire stay.

If dining isn’t your goal and having a cold beverage or glass of vino is more your preference, Maybank offers 18 craft beers on tap and a full menu of red, white, rose and bubbly wine selections.

Though the air was brisk, most nights are ideal for outdoor dining.  There are available tables if you wish to dine under the stars.

The dining area closes at 10:00 PM leaving only the bar area open, but during the day, the restaurant is in full operation and we love the design of the building offering a separation point between the dining area and bar area so patrons have the option of fun conversational bar crowd or quiet intimate dining room ambiance.

Stumbling on this gift of late night dining got us in the door, but the warm and professional customer service, exquisite flavor packed food and complete experience is what wants us coming back.

Arugula, Beet, Green Bean, Goat Cheese Salad

Our conversation with Rusted Root front-man and founder Michael Glabicki

Photo Credit: John Collins

By Mark A. Leon

The core criteria for consideration into the Rock and Roll Hall of Fame in Cleveland, Ohio is 25 or more years of collective music collaboration, recording and touring.  It is a significant piece of criteria and one that most bands never achieve.  Rigorous tour schedules, personal creative conflict and life changes are among the many reasons that contribute to the obstacles a band must overcome to create music immortality.

In 1990, Michael Glabicki took his passion for music that started as early as age six, when he would hide under the dining room table listening to Cat Stevens Greatest Hits over and over, to form the globally known Rusted Root.  Twenty-seven years later, the band continues to tour, absorbing a new generation of fans and working on their first studio album since 2012.

In advance of their upcoming show at the Windjammer, we had a chance to talk to Michael about influences, fans and spirituality. (Ticket Information for April 7 Show)

Q&A with Michael Glabicki, singer, songwriter – Rusted Root

CD:  Over the years, your audience has evolved with your music, including a new younger generation.  Why do you feel a new genesis of fans is relating to your sound?

MG:  There are a few reasons.  First-of-all, kids today are treated like a commodity, with more commercialism with social media and digital sucking them in.  Our music brings out a real sense of community. A real sense of individualism and individual thought.  Kids are attracted to that.  Also, we have been in a lot of movies and television, getting into their brains early including features in ‘Ice Age’, ‘Chuck’ and ‘New Girl’.  The music is also featured in an Enterprise Rent-A-Car commercial campaign.

CD:  From your early days in Pittsburgh, who were some of your most prominent influences?

MG:  As a kid, I started listening to Cat Stevens when I was six or seven years old.  I sat underneath the dining room table and listened over and over to the best of.  I lived inside that world for a long time.  It had a very profound effect on me.  Later-on, I started moving into Beatles and Stones.  More classic rock type stuff.  Then I transitioned into heavy metal including Iron Maiden and Black Sabbath in high school.

Led Zeppelin was a big influence later-on in high school.  In college, I turned to bands like U2 and The Cure.  They helped me tell where I wanted to take my emotions.  College was short lived for me.  I only went for half a semester and then dropped out to write music.

After I completed my first song, something changed in my world.  It made me trust that there was something unique coming through me as an individual.  I tried early on not to sing or sound like anyone else.  I didn’t want any other influence in my songwriting.  Early on I thought my writing should be a form of meditation to come through me in a unique way.

CD:  Is there one song that you would call “Your Song” that has had the most meaning and transcended time?

MG:  Definitely, most of them do.  They continue to grow with my life and every night I find something new in the lyrics that has me re-thinking.  I can find new meaning in songs every night.  They are not timepieces. They have magical content in them and they keep releasing new meaning.   I almost wish I wrote down what I was thinking when I wrote all the songs over the years.

There is one song though; ‘Scattered’ that I think of when you say, “transcends time.”  I felt I wrote it before this life and passed it on to myself so I could share it in this lifetime.  I felt I used it ritualistically in a past life.  In a way, I wanted to write this and have my future self, share it.

CD:  Since you formed in 1990, the world has changed so much from Afghanistan to 9/11 to IPhone to the first African American president.  Do all these generational changes affect how and what you write about?

MG:  I separate myself from the events around me.  I separate from superficial events that seem big, but really aren’t.  I try to go to a deep sub-conscious and self-awareness.  I feel the event, but try and find a deeper meaning much further past the superficial facts of the media.

CD:  I saw you open for the Allman Brothers in 92’ or 93 at Waterloo Village in New Jersey.  Is there an artist or band you would want to collaborate with if you had the opportunity?

MG:  I am not sure if I would.  It is very iffy.  You think things will work out and they don’t.  It is a mysterious process.  If I wanted to give it a shot, artists like Neil Young and Arcade Fire come to mind.  I often forget about the newer bands I am into, but I am sure many would be great to work with.

These things happen magically.  People just fall into your world when the opportunity presents itself you take advantage of them.  If the circumstances were right and it came together for something amazing, I would be open to it.

CD:  Nature and its parallels to life are such a critical theme in your lyrics.  Can you talk a little bit more about that?

MG:  It makes sense for now.  When I talk about detaching and gettting to the deeper level of the collective, nature is a part of the whole process.  The unique embodiment of nature is profound in a real sense.  It is very necessary right now.  It is what I have chosen to communicate.  It has been there throughout thus far.

CD:  The song “Cruel Sun” – What does the sun represent (hatred, greed, violence, or something else)?

MG:  It can be oppressive as well as nurturing.  A life and society can be that way as well.  Even brutal at times.  Most of my songwriting doesn’t have a time-period or event attached to it.  I tap into a vein of songwriting.  A type of truth and magic where lyrics can create images in your head.

CD: “Send me On My Way” has been featured in 13 movies and shows and NASA used it for the Mars Exploration Rover in 2003.  Did you ever expect that kind of universal success for that song?

MG: I was very low key about it.  Many in my circle in Pittsburgh knew right away it would be a hit song.  Songs have a way of attracting people to them like magnets.  Whether it is the record label, promotions, radio, movie soundtracks or television, the avenue it finds the listener various, but when it does, it has a profound effect.

CD:  You are playing the Windjammer almost one year to the day you played in 2016, why is Charleston part of your tour schedule?

MG:  Charleston seems like a very musical audience that gets our music.  When we come there, it seems a little more, old school where people cut loose.  Also, being close to the water is good for us.  Being near the water makes me write better.  Being near water is pretty magical for us.

CD:  Any new studio albums on the horizon?

MG:  We are working on a new album right now.  We will be playing some new songs when we come there to play The Windjammer and hope the audience enjoys them.

CD:  Are there any religious or spiritual feelings that goes into the music development.  

MG:  No, but I get surprised as I get older when I look back and listen to old music and say Oh, maybe that did influence me.  I have my own practice and do meditation so the spiritual side of music is a significant influence on our sound.

Photo Credit: John Collins

As a journalist and a fan, I found myself at a crossroads maintaining my professional integrity during the interview process while still having the goosebumps and feeling like a teenager having a conversation with one of his favorite bands

Their music was part of one of my most profound life periods, my college experience.  Now 24 years since the last time I saw Rusted Root perform, I will be taken back to a special place when a lighter signaled an encore, the connection between the band and the fan had a connection that penetrated deeper than the music and lyrics and the sense of community between the band and the fans was stronger than concrete.

“Rusted Root” has created a sound that truly engulfs you with wisdom and hope.  It humanizes our journey through life and gives meaning in times of doubt.

We are excited to have the band come and share their music this Friday at the Windjammer on Isle of Palms.

Everything You Need to Know About Crimson Screen Horror Film Festival

SOUTH CAROLINA’S FIRST AND ONLY HORROR FILM FESTIVAL IS RETURNING TO NORTH CHARLESTON FOR ITS FOURTH YEAR!

CRIMSON SCREEN HORROR FILM FESTIVAL – CHARLESTON, SC

The fourth annual Crimson Screen Horror Film Fest will be returning to N. Charleston on Friday, May 19th through Sunday May 21th at South of Broadway Theater. The film festival will feature 46 of the best independent horror films from all over the globe, including some made locally by South Carolina filmmakers. Included in this year’s lineup will be 7 feature films and 39 short films.

South of Broadway Theater, located in the heart of Park Circle, is a sponsor of this years event and is the perfect venue for such a film festival. “We love being in Park Circle and the attendees and filmmakers love being within walking distance to all the restaurants and bars in the area.” Festival founder Tommy Faircloth says. “Many of our attendees come year after year and do not want to miss even one film, so being so close to local eateries help them schedule out their days during our 3 day event.”

A big addition to Crimson Screen this year is partnering with ShortsTV, the world’s largest distributor or short films. All short films selected for this year’s festival have a chance for a worldwide cable television broadcast deal on their cable channel ShortsTV and the winner of the “Best Short” award has a chance for a distribution deal as well. ShortsTV broadcast Oscar winning short films as well as distribute them on iTunes, so getting to play along side of such films will be quite an accomplishment for a new filmmaker.

Filmmakers from all over the world submitted their films and scripts for a chance to win a “Crimmy”, Crimson Screen’s answer to a Grammy. “Our awards were sculpted and created by special effects artist Tony Rosen.” Faircloth explains. You may not know the name Tony Rosen, but you defiantly know his work. He created the world famous “Annabelle” doll that was used in the motion pictures “The Conjuring” and “Annabelle”.

Appearing as a special guest this year is Joe Bob Briggs. Joe Bob Briggs began his television career on The Movie Channel, hosting Joe Bob’s Drive-In Theater for nine years. During this time, it became TMC’s highest-rated show, earning two ACE award nominations. He appeared on some 50 talk shows, including The Tonight Show (twice) and Larry King Live. He was also a commentator for a Fox TV news magazine for two seasons.

Joe Bob’s Drive-In Theater ended when TMC changed its format in early 1996. He was off the air for only four months before joining the TNT network, where he hosted MonsterVision for four years. Under his given name, John Bloom, he also co-wrote the nonfiction book Evidence of Love: The Candy Montgomery Story. The book recounts the 1980 Wylie, Texas, murder case in which Montgomery killed her ex-lover’s wife, Betty Gore, by striking her a total of 41 times with an ax and whose highly publicized trial ended in an unexpected “not guilty” verdict. In 1990 the book was made into the CBS television movie A Killing in a Small Town starring Barbara Hershey.

Joe Bob will be presented with the 2017 Crimson Screen Horror Film Fest “Horror Icon Award” on Saturday, May 20th during his panel. He will also be hosting the “Crimmy Awards” on Sunday, May 21st.

Also appearing at this year’s event is W. Scott Poole. Poole is a professor of history at the College of Charleston and the author of “Vampira” and the award winning “Monsters in America”. Poole will be offering a workshop on Friday, May 19th on “Horror Fiction Adaptations” and it will be free to anyone attending the fest.

Many of the filmmakers and cast members will be in attendance to host Q&As after the film screenings and will be attending the after parties each night after the fest. Free popcorn will be available all weekend for attendees and you are encouraged to get your tickets in advance. Last year tickets and passes sold out a month before the event.

“Sunday is a very popular day because it is when we play all of our South Carolina films”, explains Faircloth. “The best way to guarantee your seat for all screenings is to get a 3 day VIP pass, but we are almost half sold out of them now.” he finishes.

Attendees are encouraged to come dressed in costume to walk the “dREaD Carpet” during the weekend event. Those who want to attend all 3 days can purchase a 3-day VIP pass or you can purchase daily passes online now at www.crimsonscreenfilmfest.com.

The awards ceremony will be hosted by Joe Bob Briggs on Sunday, May 21st. Awards will be presented for the following: Best Feature, Best Short, Best Director (short and feature), Best Actor (short and feature), Best Actress (short and feature), Best Cinematography (short and feature), Best Special Effects (short and feature), Best Screenplay (short and feature) presented by Final Draft, Best un-produced screenplay (short and feature) presented by InkTip, Audience Choice Award, Jury Award, and the Homegrown Horror Award for best project produced in South Carolina or by a South Carolina filmmaker.

For more information please visit our website or Facebook page. Please email or call for more details.
Film Festival Facebook page
Official Website
Email: inquiries@crimsonscreenfest.com

2017 Official Selections

Feature Films:
Altar
The Bodies in #223
Dolly Deadly
Edgar Allan Poe’s The Lighthouse Keeper The Gatehouse

Party Night
The Phoenix Incident

Short Films: 106 White Lake Arrhythmia
As I Prey

Bad Little Beth
Born Again
Caravan
The Corner
Curse of the Fur Beast Death Metal

Devil’s Advocate
Evil Rising
First Like
Game of Chess
H.P. Lovecraft’s The Beast in the Cave Incubation Period

Lake Moultrie Massacre The Leaving
Lucid
Menacing Proposal Monsters

Murky Water
Off the Beaten Path
Prepare To Die
Puppy
Room 701
Secret Admirer
Solved
Storge’
The Room
Table 51
Tales of Gluttonous Revenge Three Way Cut
Through The Night
Turn Left
What’s For Dinner?
White Drift
Withdrawn in Trepidation Yolk
Your Date in Here

Festival Founder Tommy Faircloth:

Tommy Faircloth is a writer and director from Columbia, South Carolina. He began working in film as an actor, landing small roles of such television programs as “In The Heat of The Night” but he really wanted to work behind the camera. After graduation from high school, he attended film school at University of South Carolina in Columbia and worked on many feature films such as Renaissance Man, The Program, and Die Hard With a Vengeance. His directorial debut was the horror/comedy “CRINOLINE HEAD” which was received with positive reviews from such publications as Fangoria magazine. A few years later he followed up “CRINOLINE HEAD” with his second feature film, “GENERATION AX”. “AX” received great reviews from publications such as Rue Morgue, Fangoria, and was praised by horror legend Joe Bob Briggs where he gave it 4 stars. After “Ax” Faircloth took a break from horror and worked on many of his own theme park and roller coaster documentary projects for such channels as Discovery and The Travel Channel. In 2013 Tommy began his quest to get back into the horror scene with his first short film “THE CABIN” which has won awards for “Best Short Film” at the 2013 San Antonio Horrific Film Fest, 2013 Freak Show Film Festival, 2013 Scared Stiff Halloween Film Fest, 2013 Fear Fete Film Festival, and has been chosen as an official selection for over 25 festivals in 2013 and 2014. It was also picked up for cable broadcast on the cable channel ShortsTV. He recently completed a sequel to his fist feature “Crinoline Head” called “DOLLFACE” that has been released worldwide on VOD and DVD. His latest film “FAMILY POSSESSIONS” is currently touring film festivals all over the globe.

Contact: Tommy Faircloth FOR IMMEDIATE RELEASE Tel. 803-240-5099
Email: tommy.faircloth@crimsonscreenfilmfest.com

Charleston Word Cloud – New (April 4, 2017)

Based on some amazing feedback, we have compiled a new Charleston word cloud to describe the mood and sentiment of our home.

Here is the latest word cloud, created by you, the people:

Word List

Humid Lovely Phenomabomb Resilient Charming Transformative Faithful Amazing Historic Diverse Eclectic Lush Beauty Alluring Home Glorious Warm Charming Inspiring Stunning Approachable Dazzling Exhilarating Lowcountry Charming Sunshine Wet Hospitable Awesome Historic Wet Encompassing Delicious Vibrant Regal Interesting Enchanting Unique Hot Overcrowded Cuisine History Home Hospitable Foodie Diverse Whimsical Beautiful Romantic Classy Artsy Boats Restaurants Charming Historic Historic Culinary Laidback Enjoyable Bustling Peaceful Unique Elegant Effervescent Fascinating Quintessential Dining Dining Lovely Picturesque Dangerous Overcrowded Culinary Romantic Historic Overcrowded Gridlock Holy Eclectic Historic Unique Hospitable Humid Photographic Historic Classy Home Energized Magical Storied Hot Lovely Growing Hot Love Awing Home Hot Paradise Beaches Home Historic Seacoast Maritime Tradition Heaven Perfect Growing SouthernCharm Peaceful Beautiful Photographic Slowcountry Overcrowded Perfection Blessing Home Home Heavenly Blessed Charming Historic Ruined Overcrowded Amazing Paradise Fun Delicious Elegant Relaxing Nostalgic Awesome Expensive Beautiful Fake Beautiful Overbuilt Soulful Traffic

Charleston/North Charleston Ranked #37 Fattest Cities in the United States

According to the 2017 findings from WalletHub.com, Charleston/North Charleston, SC was ranked as the 37th fattest city in the United States.  Below is the methodology and the ranking of the top 100 worst states in obesity.

Methodology

In order to determine the fattest places in America, WalletHub’s analysts compared 100 of the most populated U.S. metro areas across three key dimensions:

  • Obesity & Overweight
  • Weight-Related Health Problems
  • Healthy Environment.

They evaluated those dimensions using 17 relevant metrics, which are listed below with their corresponding weights. Each metric was graded on a 100-point scale, with a score of 100 representing the “fattest.” Data for metrics marked with an asterisk (*) were available only at the state level.

The team then calculated the overall score for each city based on its weighted average across all metrics and used the resulting scores to construct its final ranking.

Obesity & Overweight – Total Points: 50

  • Share of Overweight Adults: Full Weight (~11.11 Points)
  • Share of Obese Adults: Full Weight (~11.11 Points)
  • Share of Overweight Teenagers: Half*Weight (~5.56 Points) (Note: “Teenagers” includes persons aged 14 to 18.)
  • Share of Obese Teenagers: Half* Weight (~5.56 Points) (Note: “Teenagers” includes persons aged 14 to 18.)
  • Share of Overweight Children: Half* Weight (~5.56 Points) (Note: “Children” includes persons aged 10 to 17.)
  • Share of Obese Children: Half* Weight (~5.56 Points) (Note: “Children” includes persons aged 10 to 17. )
  • Projected Obesity Rates by 2030: Half* Weight (~5.56 Points)

Weight-Related Health Problems – Total Points: 30

  • Share of Physically Inactive Adults: Full Weight (~4.62 Points)
  • Share of Adults Eating Fewer than One Serving of Fruits/Vegetables per Day: Full Weight (~4.62 Points)
  • Share of Adults with High Cholesterol: Full Weight (~4.62 Points)
  • Share of Diabetic Adults: Full Weight (~4.62 Points)
  • Share of Adults with High Blood Pressure: Full Weight (~4.62 Points)
  • Heart-Disease Rate: Full Weight (~4.62 Points)
  • Obesity-Related Death Rate: Half* Weight (~2.31 Points)

Healthy Environment – Total Points: 20

  • Active Lifestyle: Quadruple Weight (~13.33 Points) (Note: This metric is based on data from WalletHub’s Best & Worst Cities for an Active Lifestyle ranking.)
  • Access to Parks & Recreational Facilities: Full Weight (~3.33 Points)
  • Access to Healthy Food: Full Weight (~3.33 Points) (Note: This metric measures the percentage of urban-area residents who earn a low income and live more than 1 mile from a grocery store or supermarket.)

Sources: Data used to create this ranking were collected from the Centers for Disease Control and Prevention, County Health Rankings, United States Department of Agriculture Economic Research Service, Child and Adolescent Health Measurement Initiative, Trust for America’s Health and WalletHub research.

Source: WalletHub

Fattest Cities in America

Overall Rank (1 = ‘Fattest’) Metro Area Total Score ‘Obesity & Overweight’ Rank ‘Weight-Related Health Problems’ Rank ‘Healthy Environment’ Rank
1 Jackson, MS 84.93 2 1 22
2 Memphis, TN-MS-AR 82.78 3 8 1
3 Little Rock-North Little Rock-Conway, AR 82.12 4 3 14
4 McAllen-Edinburg-Mission, TX 82.10 6 2 7
5 Shreveport-Bossier City, LA 81.82 1 5 18
6 Chattanooga, TN-GA 79.23 17 7 20
7 Mobile, AL 78.86 14 6 30
8 Lafayette, LA 77.03 5 12 52
9 Winston-Salem, NC 76.74 39 16 2
10 Knoxville, TN 76.73 25 19 23
11 Columbia, SC 76.54 9 29 24
12 Greenville-Anderson-Mauldin, SC 76.34 13 32 12
13 Birmingham-Hoover, AL 76.03 16 10 25
14 San Antonio-New Braunfels, TX 75.80 6 47 3
15 Louisville/Jefferson County, KY-IN 75.57 10 15 27
16 Myrtle Beach-Conway-North Myrtle Beach, SC-NC 75.20 12 39 33
17 Houston-The Woodlands-Sugar Land, TX 75.05 15 21 9
18 Oklahoma City, OK 74.83 19 26 10
19 Augusta-Richmond County, GA-SC 74.48 49 9 31
20 Baton Rouge, LA 74.33 8 4 39
21 Indianapolis-Carmel-Anderson, IN 74.14 34 23 6
22 El Paso, TX 74.13 21 22 11
23 Nashville-Davidson–Murfreesboro–Franklin, TN 73.94 20 34 16
24 Tulsa, OK 73.74 24 20 26
25 Dallas-Fort Worth-Arlington, TX 73.70 26 42 5
26 Toledo, OH 73.44 36 31 4
27 Huntsville, AL 73.43 22 89 35
28 Greensboro-High Point, NC 73.31 29 24 15
29 Detroit-Warren-Dearborn, MI 73.17 31 11 28
30 Columbus, OH 73.00 35 27 8
31 Canton-Massillon, OH 72.89 38 17 46
32 Wichita, KS 72.87 28 28 13
33 Charlotte-Concord-Gastonia, NC-SC 72.31 33 25 21
34 Lexington-Fayette, KY 72.19 23 14 42
35 Fayetteville-Springdale-Rogers, AR-MO 71.71 27 72 29
36 Fort Wayne, IN 71.58 32 18 34
37 Charleston-North Charleston, SC 71.44 18 71 60
38 New Orleans-Metairie, LA 71.22 11 13 45
39 Jacksonville, FL 69.91 61 35 17
40 Grand Rapids-Wyoming, MI 69.54 44 45 56
41 Richmond, VA 69.22 59 33 51
42 Allentown-Bethlehem-Easton, PA-NJ 68.88 53 30 79
43 Youngstown-Warren-Boardman, OH-PA 68.73 57 53 40
44 Asheville, NC 68.30 63 69 36
45 Riverside-San Bernardino-Ontario, CA 68.23 54 46 32
46 Scranton–Wilkes-Barre–Hazleton, PA 67.86 68 38 66
47 Dayton, OH 67.58 51 62 59
48 New York-Newark-Jersey City, NY-NJ-PA 67.48 79 63 19
49 Worcester, MA-CT 66.57 80 36 75
50 Raleigh, NC 66.30 50 75 37
51 Kansas City, MO-KS 66.20 60 60 38
51 Albuquerque, NM 66.20 42 64 43
53 Akron, OH 66.11 62 65 61
54 Chicago-Naperville-Elgin, IL-IN-WI 66.03 45 55 44
55 Providence-Warwick, RI-MA 66.01 76 43 84
56 Springfield, MA 65.97 77 54 74
57 Phoenix-Mesa-Scottsdale, AZ 65.30 40 56 57
58 Des Moines-West Des Moines, IA 65.05 71 78 47
59 Baltimore-Columbia-Towson, MD 65.05 46 49 54
60 Portland-South Portland, ME 64.41 70 92 64
61 Anchorage, AK 64.32 43 59 63
62 Omaha-Council Bluffs, NE-IA 64.18 47 58 62
63 Manchester-Nashua, NH 64.10 84 68 89
64 Spokane-Spokane Valley, WA 63.80 75 79 65
65 Philadelphia-Camden-Wilmington, PA-NJ-DE-MD 63.72 72 44 50
66 New Haven-Milford, CT 63.58 82 73 94
67 Milwaukee-Waukesha-West Allis, WI 63.36 30 57 67
68 Durham-Chapel Hill, NC 63.34 52 80 53
69 Hartford-West Hartford-East Hartford, CT 62.63 90 74 85
70 Virginia Beach-Norfolk-Newport News, VA-NC 62.35 58 37 77
71 Austin-Round Rock, TX 62.29 37 90 49
72 St. Louis, MO-IL 61.82 69 40 76
73 Ogden-Clearfield, UT 61.77 92 76 72
74 Cincinnati, OH-KY-IN 61.24 41 41 82
75 Tampa-St. Petersburg-Clearwater, FL 61.24 78 52 70
76 Los Angeles-Long Beach-Anaheim, CA 61.22 83 77 55
77 Miami-Fort Lauderdale-West Palm Beach, FL 60.77 73 70 69
78 Las Vegas-Henderson-Paradise, NV 60.63 66 50 80
79 Tucson, AZ 60.24 67 67 78
80 Cleveland-Elyria, OH 60.24 55 66 73
81 Atlanta-Sandy Springs-Roswell, GA 60.06 48 48 86
82 Pittsburgh, PA 59.79 56 61 93
83 Bridgeport-Stamford-Norwalk, CT 59.72 89 95 99
84 Salt Lake City, UT 58.85 97 82 91
85 Provo-Orem, UT 58.47 98 98 41
86 Washington-Arlington-Alexandria, DC-VA-MD-WV 57.66 65 84 92
87 Orlando-Kissimmee-Sanford, FL 57.53 85 51 97
88 San Diego-Carlsbad, CA 57.28 81 81 87
89 Reno, NV 57.18 87 83 83
90 Boise, ID 56.46 74 85 96
91 Sacramento–Roseville–Arden-Arcade, CA 56.44 64 88 98
92 San Jose-Sunnyvale-Santa Clara, CA 55.76 96 100 48
93 San Francisco-Oakland-Hayward, CA 55.72 93 97 71
94 Honolulu, HI 55.45 94 91 81
95 Boston-Cambridge-Newton, MA-NH 54.75 95 87 90
96 Colorado Springs, CO 54.00 99 93 68
97 Denver-Aurora-Lakewood, CO 53.53 100 99 58
98 Minneapolis-St. Paul-Bloomington, MN-WI 53.46 86 96 88
99 Portland-Vancouver-Hillsboro, OR-WA 52.04 88 86 100
100 Seattle-Tacoma-Bellevue, WA 51.93 91 94 95