Come for Weezer, Stay for Panic! At The Disco

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By, Minta Pavliscsak

The sleepy little town of Daniel Island, South Carolina was rocked to life Sunday evening when the sounds of Panic! At The Disco and Weezer came streaming from the rows of hanging speakers at the Volvo Car Stadium.

In unison, the crowd jumped to their feet with excitement as “Miserlou,” more notably known as the theme song from Pulp Fiction, suddenly started pumping through the speakers as the outline of a red car appeared, racing across the stage screen. Next entered 29 year old, Vegas grown Brendon Urie, and so it began.

I remember Panic! At The Disco when they first emerged onto the music scene. They showed promise, but then they seemed to fade only to return with what I though was a more mainstream sound, so honestly I lost interest. I am here to 20160619_203226-01 (2)tell you, Mr. Urie proved me completely wrong in every sense of the word this past Sunday night!

Between the bold sounds of the band, Brendon’s unbelievable vocal range -the kind of range that could only come from a deal with the Devil himself- and the energy coming from both the stage and the crowd, feeding off of one another, you had what made for a perfect opening set. I have never seen SO much pure, raw energy on stage, and Brendon even did a couple of -rather impressive- backflips!

The highlights of their set were definitely when Brendon took to his drum set, side of drummer Dan Pawlovich, for a dual drum solo/dueling drums/kick-ass this-is-what-we-do moment, and equally as kick-ass, their tribute to Queen with a crowd pleasing “Bohemian Rhapsody.”

Among the playlist was “Death of A Bachelor,” “Emperor’s New Clothes,” “Hallelujah,” “Girls/Girls/Boys,” “Miss Jackson,” “Crazy = Genius” and “Nine In The Afternoon.”

Thank you Panic! At The Disco for a fantastic performance!

The set change was a bit on the long side. However, it was well worth the wait, and sitting under an almost full moon on the eve of the first day of summer with a cool breeze, enjoying a tasty beverage, how could one complain?! Finally it happened –what we had all came there for– the lights went out and that was our cue to once again jump to our feet, scream as loudly as we could, and welcome to the stage the one, and only Weezer.

I feel that it is important to mention 20160619_222505here that Weezer is what we would refer to as an “old school”
band. That’s not a bad thing by any means! In a lot of ways, it is has its advantages, bonuses even. Their debut album, The Blue Album was released in May of 1994. I was in 5th grade at the time, and have been a fan ever since. {Thank you to my awesomely cool parents who never attempted to censor my musical choices!} I have been to many concerts of artists who fall under this same category – The Rolling Stones, Tom Petty, Green Day, just to name a few. When going to these shows, you are excited for whatever they give you, but you always hope to hear your favorite classics, the ones that made you fall in love with the band in the first pla20160619_213749ce. Weezer did not disappoint! They got straight to the point, opening with “Hash Pipe” then tossing out giant beach balls to the crowd with “My Name Is Jonas.”

It only got better from there!

Of course they played some of their new stuff which, holding true to Weezer form, was awesome, but it was peppered with their classics as well. A few we were graced with were “Beverly Hills,” “Pork and Beans,” “Everybody Get Dangerous,” “(If You’re Wondering If I Want You To) I Want You To,” “Say It Ain’t So,” “Buddy Holly,” and “Undone – The Sweater Song.” Weezer wasted no time with a bunch of talking, only doing what they do best, rocking out.

As they said goodnight and walked off stage, the entire stadium chanted their name “WEEZER, WEEZER, WEEZER,” begging for their return. Showing sincere appreciation for their fans, they complied and returned for a couple more jams. My longtime dream had come true. Truly a magical night of musical greatness.

Weezer, you rock.

 

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